مجموعه سمفونی های جوف هایدن با اجرای سر نویل مارینر و ارکستر آکادمی سنت مارتین

Artist: Academy of St. Martin in the Fields, Sir Neville Marriner
Title: Haydn: Symphonies
Year Of Release: 2022
Label: Decca Eloquence
Genre: Classical
Quality: FLAC (tracks)
Total Time: 12:34:03

Tracklist:

CD 1

01. 1. Adagio – Allegro
02. 2. Adagio
03. 3. Menuet
04. 4. Finale. Allegro
05. 1. Adagio – Allegro
06. 2. Recitativo. Adagio – Allegro – Adagio
07. 3. Adagio
08. 4. Menuetto
09. 5. Finale. Allegro
10. 1. Allegro molto
11. 2. Andante
12. 3. Menuetto
13. 4. Presto “La tempesta”

CD 2

01. 1. Adagio
02. 2. Presto
03. 3. Menuetto
04. 4. Finale. Presto
05. 1. Allegro di molto
06. 2. Adagio, ma semplicemente
07. 3. Menuetto – Trio
08. 4. Finale. Presto

CD 3

01. 1. Allegro
02. 2. Adagio
03. 3. Menuet
04. 4. Finale. Moderato molto – Presto
05. 1. Adagio – Allegro
06. 2. Andante
07. 3. Menuetto
08. 4. Presto “La chasse”

CD 4

01. 1. Allegro
02. 2. Adagio
03. 3. Menuetto
04. 4. Finale. Allegro
05. 1. Presto
06. 2. Andante o più tosto Allegretto
07. 3. Menuetto
08. 4. Allegro assai

CD 5

01. 1. Allegro con brio
02. 2. Menuetto. Allegretto
03. 3. Adagio
04. 4. Finale. Presto
05. 1. Adagio
06. 2. Allegro di molto
07. 3. Menuet
08. 4. Finale. Presto

CD 6

01. 1. Allegro assai
02. 2. Adagio
03. 3. Menuet. Allegretto
04. 4. Finale. Presto – Adagio
05. 1. Adagio – Presto
06. 2. Andante
07. 3. Menuet. Allegretto – Trio
08. 4. Finale. Vivace

CD 7

01. 1. Allegro
02. 2. Adagio
03. 3. Menuet. Allegretto
04. 4. Finale. Allegro
05. 1. Adagio – Vivace
06. 2. Romance. Allegretto
07. 3. Menuetto. Allegretto
08. 4. Finale. Presto

CD 8

01. 1. Allegro assai con brio
02. 2. Andante
03. 3. Menuetto. Allegretto
04. 4. Finale. Presto
05. 1. Largo maestoso – Vivace
06. 2. Andante
07. 3. Menuetto
08. 4. Finale. Presto

CD 9

01. 1. Adagio – Allegro di molto
02. 2. Andante
03. 3. Menuetto
04. 4. Presto
05. 5. Adagio
06. 6. Finale. Prestissimo
07. 1. Allegro
08. 2. La Roxelane. Allegretto più tosto allegro
09. 3. Menuet – Trio
10. 4. Finale. Prestissimo
11. 1. Vivace
12. 2. Un poco adagio più tosto andante
13. 3. Menuetto
14. 4. Finale. Presto

CD 10

01. 1. Vivace assai
02. 2. Allegretto
03. 3. Menuet
04. 4. Finale. Vivace
05. 1. Allegro spiritoso
06. 2. Andante
07. 3. Menuet. Allegretto
08. 4. Finale. Vivace

CD 11

01. 1. Largo – Allegro
02. 2. Andante
03. 3. Menuet. Allegro
04. 4. Finale. Vivace
05. 1. Adagio – Allegro spiritoso
06. 2. Capriccio. Largo
07. 3. Menuet. Allegretto
08. 4. Finale. Allegro con spirito
09. 1. Vivace
10. 2. Adagio
11. 3. Menuet
12. 4. Finale. Vivace

CD 12

01. 1. Adagio – Allegro spiritoso
02. 2. Adagio
03. 3. Menuet. Allegretto
04. 4. Presto
05. 1. Adagio – Allegro
06. 2. Andante
07. 3. Menuet. Allegro
08. 4. Finale. Spiritoso

CD 13

01. 1. Adagio – Vivace assai
02. 2. Andante
03. 3. Menuet. Allegro molto
04. 4. Finale. Allegro di molto
05. 1. Adagio – Allegro
06. 2. Andante
07. 3. Menuetto. Allegretto
08. 4. Finale. Vivace

CD 14

01. 1. Adagio – vivace assai
02. 2. Adagio
03. 3. Menuetto. Allegretto
04. 4. Finale. Vivace
05. 1. Largo – Vivace
06. 2. Adagio
07. 3. Menuetto. Allegro
08. 4. Finale. Presto

CD 15

01. 1. Adagio – Allegro
02. 2. Allegretto
03. 3. Menuet. Moderato
04. 4. Finale. Presto
05. 1. Adagio – Allegro con spirito
06. 2. Andante più tosto allegretto
07. 3. Menuet – Trio
08. 4. Finale. Allegro con spirito

With the delightful original LP cover illustrations, this ‘original jackets’ presentation collects together for the first time the 33 Haydn Symphonies recorded by Sir Neville Marriner and the Academy of St. Martin in the Fields over a twenty-year period, from 1970–1990. Both the polish and refinement of these performances, as well as the recording quality “of exceptional vividness and presence” (Gramophone), received widespread critical acclaim.

Begun in 1970 with an album of Symphonies Nos 52 & 53, this series of Haydn recordings soon concentrated on symphonies with nicknames (none of them supplied by the composer). They attracted widespread praise for the precision of their playing, the excellence of the Philips engineering and the unassuming polish and refinement of the readings, the only complaint being made that Marriner and his ensemble could not venture into all those other symphonic marvels which happened not to have attracted a nickname. Only towards the end of the series, in 1981, did they yield to this criticism by completing a set of the Paris symphonies with beautifully pointed accounts of Nos. 84, 86 and 87.

However, with 33 individual symphonies eventually recorded, the series covers a substantial fraction of Haydn’s legacy. Marriner took a flexible attitude to thorny academic issues such as whether or not to use a harpsichord continuo: ‘The most important thing is to be practical,’ he said, and the series conveys a meeting of minds across the centuries between two supremely practical musicians.

Some of these recordings last saw the light of day in a 1996 box of the ‘named’ symphonies. However, the present compilation restores the original couplings with ‘original jacket’ artwork. The booklet includes many session photographs of Marriner and the Academy in their natural habitat, as well as an enticing array of editorial contributions: from Max Harrison on Haydn’s inexhaustible invention as a symphonist, from Philip Stuart on the ins and outs of the ASMF Haydn discography, from Rob Cowan on Sir Neville Marriner as a director of unfailing style and vitality in this repertoire, and a personal memoir from Costa Pilavachi who worked with Marriner in his capacity as A&R manager and later head of the Philips Classics label.