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Michael Rabin – A Genius On The Violin
مختص کاربر آزاد 1398/12/26

مایکل رابین – نابغه ای در ویولن

Artist: Michael Rabin
Title: Michael Rabin – A Genius On The Violin
Year Of Release: 2020
Label: Profil
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 309:22 min

Tracklist:

CD1:

01. Tzigane, M. 76 (Version for Violin & Orchestra)
02. Violin Concerto No. 1 in D Major, Op. 6: I. Allegro maestoso
03. Violin Concerto No. 1 in D Major, Op. 6: II. Adagio expressivo
04. Violin Concerto No. 1 in D Major, Op. 6: III. Rondo. Allegro sprituoso
05. Havanaise in E Major, Op. 83, R. 202
06. Scottish Fantasy, Op. 46: I. Grave – Adagio cantabile
07. Scottish Fantasy, Op. 46: II. Scherzo. Allegro
08. Scottish Fantasy, Op. 46: III. Andante sostenuto
09. Scottish Fantasy, Op. 46: IV. Finale. Allegro guerriero

CD2:

01. Violin Concerto in D Major, Op. 35, TH 59: I. Allegro moderato
02. Violin Concerto in D Major, Op. 35, TH 59: II. Canzonetta. Andante
03. Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo
04. Violin Concerto in A Minor, Op. 82: I. Moderato
05. Violin Concerto in A Minor, Op. 82: II. Andante sostenuto – III. Più animato
06. Violin Concerto in A Minor, Op. 82: IV. Allegro
07. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: I. Allegro moderato
08. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: II. Preghiera. Larghetto
09. Violin Concerto No. 1 in F-Sharp Minor, Op. 14: III. Rondo. Allegro giocoso

CD3:

01. Violin Sonata No. 3 in C Major, BWV 1005: I. Adagio expressivo
02. Violin Sonata No. 3 in C Major, BWV 1005: II. Fuga. Alla breve
03. Violin Sonata No. 3 in C Major, BWV 1005: III. Largo
04. Violin Sonata No. 3 in C Major, BWV 1005: IV. Allegro assai
05. Violin Sonata No. 8 in G Major, Op. 30 No. 3: I. Allegro assai
06. Violin Sonata No. 8 in G Major, Op. 30 No. 3: II. Tempo di minuetto
07. Violin Sonata No. 8 in G Major, Op. 30 No. 3: III. Allegro vivace
08. Violin Sonata No. 1 in A Major, Op. 13: I. Allegro molto
09. Violin Sonata No. 1 in A Major, Op. 13: II. Andante sostenuto – Più animato
10. Violin Sonata No. 1 in A Major, Op. 13: III. Allegro vivo
11. Violin Sonata No. 1 in A Major, Op. 13: IV. Allegro, quasi presto
12. Introduction et rondo capriccioso, Op. 28, R. 188
13. Le plus que lente, L. 121 (Arr. L. Roques)
14. The Love for Three Oranges, Op. 33: March (Arr. J. Heifetz)

CD4:

01. Violin Concerto in E Minor, Op. 64, MWV O 14: I. Allegro molto appassionato
02. Violin Concerto in E Minor, Op. 64, MWV O 14: II. Andante sostenuto – Più animato
03. Violin Concerto in E Minor, Op. 64, MWV O 14: III. Allegretto non troppo – Allegro molto vivace
04. Violin Concerto No. 4 in D Major, K. 218: I. Allegro
05. Violin Concerto No. 4 in D Major, K. 218: II. Andante cantabile
06. Violin Concerto No. 4 in D Major, K. 218: III. Rondo
07. Violin Concerto No. 2, Op. 78: I. Allegro
08. Violin Concerto No. 2, Op. 78: II. Andante
09. Violin Concerto No. 2, Op. 78: III. Presto

Michael Rabin (1936-1972) died at the very early age of just thirty-five. The cause of his death was given as a fall, though he had been suffering from mental health issues for some time beforehand. Rabin was acclaimed in America in a manner that only Jascha Heifetz and Mischa Elman had been till then. He refused to enter a recording studio after 1959, and so the studio and live recordings he did make and that form his musical legacy have continued to this day to attract considerable attention. His tragic death has been seen by some as the result of the enormous pressure and expectations exerted by audiences and the media, especially on talented young musicians. Rabins father played violin with the New York Philharmonic, while his mother was a pianist. He began to make music at the age of three and made his first public appearance at eleven; just three years later, at the age of fourteen, he launched his international career with a highly acclaimed concert at Carnegie Hall. He learned early on to exploit his virtuoso talent and to give audiences what they craved. And he did indeed give performances of breathtaking quality. Audiences were in thrall to him in Europe and America and especially in Israel, where he often gave concerts. His programmes often included the most popular violin concertos, some of the principal sonatas and often given as encores those works that show off a virtuosos brilliance to the best advantage. Rabin complained in interviews that impresarios all too often wanted him to perform the same works for their programmes. He saw it as a great honor therefore, when Paul Creston dedicated his Second Violin Concerto to him. The premiere was given under the baton of Georg Solti on November 17, 1960 in Los Angeles and the recording made of it rounds off this documentation of an outstanding artist whom American critics called a true and rare genius.

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