آناتولی اوگورسکی - ضبطهای کامل دویچه گرامافون (Anatol Ugorski)


هنرمند : Anatol Ugorski
ژانر : Classical
سال انتشار : 2018
تعداد آلبوم : 13
کدک های صوتی : FLAC
بیت ریت : lossless
حجم : 2.45GB
امتیاز کاربران : 8 از 10 - (میانگین رای 2 نفر)

Anatol Ugorski - The Complete Recordings On Deutsche Grammophon (2018)


Info & Tracklist

Artist: Anatol Ugorski
Title: The Complete Recordings On Deutsche Grammophon
Year Of Release: 2018
Label: Deutsche Grammophon
Genre: Classical
Quality: FLAC (image+.cue)
Total Time: 14:26:04

CD 1: Beethoven: 33 Piano Variations In C Major, Op.120 On A Waltz By Anton Diabelli
CD 2: Mussorgsky: Pictures At An Exhibition / Stravinsky: Petrouchka - Three Movements For Piano - 1921 Version
CD 3: Beethoven: Piano Sonata No.32, Op.111; Bagatelles
CD 4: Schumann: Davidsb?ndlert?nze, Op.6 / Schubert: Wanderer-Fantasie
CD 5: Messiaen: Catalogue d'oiseaux
CD 6: Messiaen: Catalogue d'oiseaux
CD 7: Messiaen: Catalogue d'oiseaux; La Fauvette des jardins
CD 8: Short Stories: Busoni, Liszt, Debussy etc.
CD 9: Brahms: Piano Sonata No.1 In C, Op.1; Piano Sonata No.2 In F Sharp Minor, Op.2
CD 10: Brahms: Piano Sonata 3, H?ndel-Variationen
CD 11: Chopin
CD 12: Scriabin: Piano Concerto, Le Po?me de l'Extase, Prom?th?e
CD 13: Scriabin: Piano Sonatas 2, 3, 5, 9

 Tracklist
Disc: 1
1. Tema (Vivace)
2. Variation I (Alla marcia maestoso)
3. Variation II (Poco allegro)
4. Variation III (L'istesso tempo)
5. Variation IV (Un poco più vivace)
6. Variation V (Allegro vivace)
7. Variation VI (Allegro ma non troppo e serioso)
8. Variation VII (Un poco più allegro)
9. Variation VIII (Poco vivace)
10. Variation IX (Allegro pesante e risoluto)
11. Variation X (Presto)
12. Variation XI (Allegretto)
13. Variation XII (Un poco più moto)
14. Variation XIII (Vivace)
15. Variation XIV (Grave e maestoso)
16. Variation XV (Presto scherzando)
17. Variation XVI (Allegro)
18. Variation XVII
19. Variation XVIII (Poco moderato)
20. Variation XIX (Presto)
21. Variation XX (Andante)
22. Variation XXI (Allegro con brio - Meno allegro - Tempo I)
23. Variation XXII (Allegro molto): Alla "Notte e giorno faticar" di Mozart
24. Variation XXIII (Allegro assai)
25. Variation XXIV: Fughetta (Andante)
26. Variation XXV (Allegro)
27. Variation XXVI
28. Variation XXVII (Vivace)
29. Variation XXVIII (Allegro)
30. Variation XXIX (Adagio ma non troppo)
31. Variation XXX (Andante, sempre cantabile)
32. Variation XXXI (Largo, molto espressivo)
33. Variation XXXII: Fuga (Allegro - Poco adagio)
34. Variation XXXIII (Tempo di minuetto moderato, ma non tirarsi dietro)

Disc: 2
1. Promenade. Allegro giusto, nel modo rustico, senza allegrezza, ma poco sostenuto - attacca
2. Gnomus.Sempre vivo
3. Promenade.Moderato commodo assai e con delicatezza - attacca
4. The Old Castle.Andantino molto cantabile e con dolore
5. Promenade.Moderato non tanto,pesamente - attacca
6. 3. The Tuileries Gardens
7. Bydlo.Sempre moderato,pesante
8. Promenade.Tranquillo - attacca
9. 5. Ballet Of The Chickens In Their Shells
10. Samuel Goldenberg and Schmuyle.Andante.Grave-energico - Andantino
11. Promenade.Allegro giusto,nel modo russico, poco sostenuto - attacca
12. The Market-place at Limoges.Allegretto vivo,sempre scherzando - attacca
13. The Catacombs (Sepulchrum romanum).Largo - attacca
14. Con mortuis in lingua mortua.Andante non troppo,con lamento
15. The Hut On Fowl's Legs (Baba-Yaga).Allegro con brio, feroce - Andante mosso - Allegro molto - attacca
16. The Great Gate Of Kiev.Allegro alla breve.Maestoso.Con grandezza
17. 4. Russian Dance
18. Petrouchka's Room
19. The Shrovetide Fair

Disc: 3
1. 1. Maestoso - Allegro con brio ed appassionato
2. 2. Arietta - Adagio molto semplice e cantabile
3. 1. Andante con moto
4. 2. Allegro
5. 3. Andante
6. 4. Presto
7. 5. Quasi Allegretto
8. 6. Presto - Andante amabile e con moto
9. Bagatelle In A Minor, WoO 59 -"Für Elise"
10. Rondo A Capriccio In G, Op.129 "Die Wut über den verlornen Groschen" For Piano

Disc: 4
1. 1. Lebhaft
2. 2. Innig
3. 3. Mit Humor
4. 4. Ungeduldig
5. 5. Einfach
6. 6. Sehr rasch
7. 7. Nicht schnell
8. 8. Frisch
9. 9. Lebhaft
10. 10. Balladenmässig, sehr rasch
11. 11. Einfach
12. 12. Mit Humor
13. 13. Wild und lustig
14. 14. Zart und singend
15. 15. Frisch
16. 16. Mit gutem Humor
17. 17. Wie aus der Ferne
18. 18. Nicht schnell
19. 1. Allegro con fuoco, ma non troppo
20. 2. Adagio
21. 3. Presto
22. 4. Allegro

Disc: 5
1. 1. Le Chocard des Alpes
2. 2. Le Loriot
3. 3. Le Merle bleu
4. 4. Le Traquet stapazin
5. 5. La chouette hulotte
6. 6. L'Alouette Lulu

Disc: 6
1. 7. La Rousserolle effarvatte
2. 8. L'Alouette calandrelle
3. 9. La Bouscarle
4. 10. Le Merle de roche

Disc: 7
1. 11. La Buse variable
2. 12. Le Traquet rieur
3. 13. Le Courlis cendré
4. La Fauvette des jardins

Disc: 8
1. 3. Giga, Bolero e Variazione. Studie nach Mozart
2. Liebestraum No. 3
3. 3. Clair de lune
4. No. 2 Scherzo In E Minor
5. 7. Träumerei
6. Allegro agitato
7. 1. Poème In F Sharp
8. 2. Poème In D
9. No.2 Prelude In C Sharp Minor
10. 1. Prélude: Andante
11. 2. Nocturne: Andante
12. Moderato - Allegro vivace
13. 4. Rondo (presto). "Perpetuum mobile"
14. Moderato
15. Cantabile in B flat
16. Fugue in A minor
17. Largo in E flat, Op.posth.

Disc: 9
1. 1. Allegro
2. 2. Andante
3. 3. Scherzo (Allegro molto e con fuoco)
4. 4. Finale (Allegro con fuoco)
5. 1. Allegro non troppo, ma energico
6. 2. Andante con espressione
7. 3. Scherzo. Allegro
8. 4. Finale (Introduzione. Sostenuto - Allegro non troppo e rubato)
9. Chaconne

Disc: 10
1. 1. Allegro maestoso
2. 2. Andante espressivo
3. 3. Scherzo (Allegro energico)
4. 4. Intermezzo (Andante molto)
5. 5. Finale (Allegro moderato ma rubato)
6. Aria
7. Variation I
8. Variation II
9. Variation III
10. Variation IV
11. Variation V
12. Variation VI
13. Variation VII
14. Variation VIII
15. Variation IX
16. Variation X
17. Variation XI
18. Variation XII
19. Variation XIII
20. Variation XIV
21. Variation XV
22. Variation XVI
23. Variation XVII
24. Variation XVIII
25. Variation XIX
26. Variation XX
27. Variation XXI
28. Variation XXII
29. Variation XXIII
30. Variation XXIV
31. Variation XXV
32. Fuga

Disc: 11
1. Allegro maestoso
2. Allegro ma non troppo
3. Polonaise No.10 in F minor, Op.71 No.3
4. Polonaise in B flat minor, Op.posth.
5. Polonaise in G flat, Op.posth.
6. Polonaise in G minor, Op.posth.
7. Polonaise in B flat, Op.posth.
8. Polonaise in A flat, Op.posth.
9. Moderato
10. Introduzione. Allegro molto - Allegro vivace
11. Presto
12. Marche funèbre in C minor, Op.72,2
13. Etude in F minor, Op.posth. " Méthode des méthodes "
14. Etude in A flat, Op.posth. " Méthode des méthodes "
15. Etude in D flat, Op.posth. " Méthode des méthodes "
16. No.1 in D Major
17. No.2 in G Major
18. No.3 in D flat Major

Disc: 12
1. Le Poème de l'Extase, Op.54 - Chicago Symphony Orchestra, Pierre Boulez
2. 1. Allegro - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez
3. 2. Andante - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez
4. 3. Allegro - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez
5. Promethée - Le Poème du Feu, Op.60 - Anatol Ugorski, Chicago Symphony Orchestra, Pierre Boulez, Chicago Symphony Chorus, Duain Wolfe

Disc: 13
1. 1. Andante
2. 2. Presto
3. Piano Sonata No.5 In F Sharp Major, Op.53
4. Piano Sonata No.9, Op.68 "Black Mass"
5. 1. Drammatico
6. 2. Allegretto
7. 3. Andante
8. 4. Presto con fuoco


Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs. Deeply rooted in the often-cited “Russian tradition” he is also a highly individualistic virtuoso personality. His distinctive commitment to 20th century composers like Messiaen and Boulez is characterized in an anecdote from 1967 when he attended one of the few guest concerts of Pierre Boulez in the Soviet Union. Ugorski was so enthusiastic in public about the Boulez program featuring Schoenberg, Berg and Webern that he experienced reprimands and threats from the official censorship authorities afterwards.

Ugorski’s interpretations are informed by his personal beliefs. An intrinsic aspect of his artistic personality is that he challenges audiences and critics to discourse; for example, his reading of the Arietta from Beethoven’s op. 111 stimulated scholarly discussion over his intense Larghissimo taking more time for the movement than almost all other interpreters. Some considered his tempo to be a wholehearted intellectual testing of the musical material, others were outraged by the freedom he took with his interpretation. Unaffected by such debates, Ugorski holds to the musico-philosophical mantra that there is no supreme interpretative rule or ‘definative’ interpretation, only the “truth of the moment.”

When it comes to biographical details, Ugorski has always been reluctant to provide personal details about himself. Why? “The music is more important.”

The first-ever collection of Anatol Ugorski’s complete recordings on Deutsche Grammophon.

Includes the first international release of his Scriabin Sonatas 2, 3, 5 & 9 as well as rare Chopin recordings.


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